The Influence of Harry Potter on Digital Fan Fiction and Business





The Influence of Harry Potter on Digital Fan Fiction and Business

It is impossible to ignore the implications of digital technology for the creation and development of fandom in today’s age. The influence that these forms of technology wield over the opinion of an audience raises questions that relate to the impact on the evaluation and development of new or different types of media. The fandom encompassing the Harry Potter franchise exemplifies this respective aspect. Accordingly, the novels by J. K. Rowling have provided a generation with the capabilities of reading and writing via fan fiction. Even though fandom may be dysfunctional to a certain extent, the opportunities that are present especially in respect to the overwhelming presence allow individuals to exploit and create new forms of media that are particularly successful. In this respect, it would be irrational to disregard such positive implications in reference to the recent real-world successes exhibited by fans of the Harry Potter franchise.

The fanatic allotment of digital technology within the setting of the Harry Potter fandom has imposed widespread implications in respect to studies dedicated to media literacy. Fan activities such as fan fiction and art comprise a postmodernist advance towards literary texts. Aside from undoing the grand narratives exhibited within the original text, they also question the concept of a particular source. In respect to this evaluation, it is possible to note the different forms of narrative developments that characterize the Harry Potter franchise based on the several narratives that co-exist within the respective digital fandom. The protagonist, who acts as the savior and manages to attain a happy life, co-exists together with the experiential Potter, who is incapable of discovering his purpose after Lord Voldemort is destroyed, or in a rather conflicting variation, the Potter, who is the false savior taking credit for the actions of Neville Longbottom.

These variations paint a bigger picture of what Jenkins sees as the positive effect of the Harry Potter novels on the development of real-world creativity after an exploration of a fantasy world. According to Jenkins (175), the original narratives of Harry Potter encourage children to explore an ingenious setting that allows them to relate such occurrences to examples in their personal lives. In this consistent play of stories, the original text undergoes constant deconstruction with its apparatus dissolved and re-created with novel connotations provided by the fans and their respective online communities. While adolescent audiences of the novels supplement new versions to the subjects of rebellion, other fans perceive a more profound subtext that lies beneath the context of magic (Minkel para. 6). The individual narratives of the respective fans fuse with the original text to develop innovative texts as well as settings.

Nonetheless, in a conventional setting, it would have been difficult for the Harry Potter novels to undergo the numerous set of variations it currently exhibits. In this respect, it is impossible to ignore the differentiating implications that digital technology, especially in the re-development of narratives associated with the Harry Potter franchise. Indeed, the online world has evolved into an appropriate space for a miscellany of realities to become successful. In fact, within the archives of Internet fandom, writing has become a multi-faceted space that prevents various versions from blending or clashing. Indeed, digital technology has allowed adolescent fans to express their worries, adoration, concerns, and resistance towards common ideologies that underlie literature designated for children as well as young adults. Based on the different variations that are present on the Internet, it is evident that the Harry Potter novels have assisted in shaping this form of resistance within the digital context.

The platform offered by the digital space has enabled the explosion of profitable activities linked to the effects of the Harry Potter series on the fandom. For instance, in fan fiction, enthusiasts have appropriated the original personas supplied by facets of popular media such as television to develop their individual tales, which normally confront or assert novel connotations to the original texts (Jenkins 183). In other instances, persons that grew up reading the Harry Potter novels have managed to translate their inner admiration into pragmatic successes such as conventions, which target present adolescent and young adult fans of the respective franchise (Minkel para. 10). Based on these illustrations of creative authorship and enterprise developments, it is impossible to ignore the extent to which the Harry Potter series has contributed considerably to the present progressions evidenced in the world of literature and business.

The fandom associated with media such as the Harry Potter series and the presence of digital technology has enabled creative progression especially in the development of innovative literature as well as appealing business ideas. Accordingly, fans of the Harry Potter series have used the digital space to gratify or vent their passions as evidenced by the production of variations related to the respective franchise. Facets such as online communities dedicated to this particular space have encouraged adolescent as well as young adult fans to develop different yet creative literature in relation to the contents of the Harry Potter novels. In other examples, Potter enthusiasts have engaged in successful business endeavors that exhibit their fervent admiration for the novels to new and old fans.



Works Cited

Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2008. Print.

Minkel, Elizabeth. “Harry Potter Isn’t Over, But What Happens When a Fandom Grows Up?” New Statesman. New Statesman, 21 August 2015. Web. 6 November 2015. <>

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