The American Dream in “Gran Torino Movie”

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The American Dream in “Gran Torino Movie”

Machuco, Antonio. Violence and truth in Clint Eastwood’s Gran Torino. Anthropoetics-journal of generative anthropology 16 (2) (spring 2011)

The article focuses on issues of violence truth and the high prevalence of racism against minority groups in the United States seeking the American Dream. In addition, the author provides an important view into the lives of minority groups in the United States and their daily endeavors to cope with racism. The minority groups have endured significant levels of racism, discrimination and denied equality, which is different from the initial expectations of achieving the American dream. The protagonist seeks to end violence, despite him being a product of a violent and an unforgiving society.

The American dream is largely elusive for the Hmong communities as well as other immigrant communities. They are faced with significant hurdles such as violence, racial discrimination, lack of education and skills, and high levels of poverty. Such are among the primary factors that hinder the achievement of the American dream, which is largely based on the belief of achieving prosperity from hard work.

Modleski, Tania. “Clint Eastwood and Male Weepies.” American Literary History 22,no. 1 (2010): 136-158.

The article largely focuses on masculinity in the American film industry, with the focus being on Clint Eastwood and his exceptional role in the movie Gran Torino. The movie largely emphasized the value of masculinity in the American society especially within the Italian communities. The movie uses significant derogatory and racially discriminatory terms all with an aim of emasculating the primary characters and their respective communities. In addition, the author also seeks to note the evolution of the definition of the American dream for the minority immigrant communities in the light of significant discrimination and economic woes in the country. She provides utter contrast between Clint Eastwood and other actors who she defines as “male weepies” for their soft approach towards issues.

Mainar, Luis M. Garcia. “Authorship and identity in the cinema of Clint Eastwood.” Atlantis 29, no. 2 (2007): 27-37.

The author notes that it is a challenge for minority actors to succeed in the film and theatre industry due to issues relative to identity. Such may deny them with the opportunity to achieve the American dream as a result of extensive competition provided by native actors. The author delves into the character of Clint Eastwood to highlight issues of featuring in the films and roles of authorship in delivering appropriate identities in films and theatrical productions.

Furthermore, cultural identities as provided in the film Gran Torino are major issues discussed in-depth by the author as a means of highlighting the essence of cultural identities in production of films targeted at specific audiences. Issues discussed in the article include the association of racism with minority and immigrant communities in the United States. Clint Eastwood sought to highlight the concerns of the immigrant communities by displaying the problems they face upon arrival into the United States. The American dream is seemingly becoming more elusive than in yesteryears.

Schein, Louisa. 2008. “Eastwood’s Next Film Features Hmong American Cast: Exclusive Interviews from the Set of ‘Gran Torino.’ ” Asian Week 29, no. 7 (October 3): 12, 29.

The article focuses on the involvement of Hmong minority group in a film that illustrates the lives of minority groups in the United States. It seeks to highlight the challenges of the minority group as they move into the United States in search of the American dream. In addition, the article also provides an insight into the various issues that plague the American society, such as influx of immigrants into the country, declining employment opportunities as a result of immigration and cheap labor and racial discrimination against the immigrants and other minority groups. Clint Eastwood notes that the film provides an important learning point about other cultures and society’s view of such cultures. Achieving the American dream is the sole purpose for the immigrants leaving their homes to seek new opportunities in the United States. However, they are faced by numerous challenges such as harsh economic conditions, unemployment, lack of skills and inadequate education, racial discrimination and the lack of appropriate immigration documents that would enable them to achieve economic stability and employment opportunities.

Schein, Louisa, and Va-Megn Thoj. 2008. “Violence, Hmong American Visibility, and the Precariousness of Asian Race.” PMLA 123, no. 5 (October): 1752–1756.

The author takes an important approach in highlighting the significant issues faced by the minority groups; in this case the Hmong immigrants. Excessive levels of violence, racial discrimination are all induced by significant levels of poverty, lack of skills and education that would enhance their chances and opportunities of gaining employment. An immigrant is faced with significant challenges largely attributed to racial discrimination in search of property despite the promise of the United States being a land of the free and the brave.

The American dream is seemingly elusive for a majority, if not all, Hmong immigrants in the United States as portrayed in the film. In addition, article indicates that the experiences of the Hmong immigrants are also prevalent among other Asian and minority groups in the United States. They are largely blamed for taking up employment opportunities for the native communities in the country. The racial prejudice is highlighted carefully by Clint Eastwood in the film and induces empathy among the audience.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Works Cited

Gran Torino. Dr. Clint Eastwood. Perf. Clint Eastwood and Bee Vang. Warner Bros., 2008. DVD. Film.

Machuco, Antonio. “Violence and truth in Clint Eastwood’s Gran Torino.” Anthropoetics-Journal of Generative Anthropology 16. 2 (spring 2011):1-9. Print.

Modleski, Tania. “Clint Eastwood and Male Weepies.” American Literary History 22. 1 (2010): 136-158.

Mainar, Luis M. Garcia. “Authorship and identity in the cinema of Clint Eastwood.” Atlantis 29. 2 (2007): 27-37.

Schein, Louisa. “Eastwood’s Next Film Features Hmong American Cast: Exclusive Interviews from the Set of ‘Gran Torino.’ ” Asian Week, October 3 2008. Web. July 16 2014.

Schein, Louisa, and Va-Megn Thoj. “Violence, Hmong American Visibility, and the Precariousness of Asian Race.” PMLA 123. 5 (2008October): 1752–1756.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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