Reading Response

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Reading Response

Quote 1: “All the same, since a basic tenet of the entire modern-dance movement was the discovery of personal vocabularies, students were encouraged to choreograph from the beginning of their training and they often joined forces to share ideas and study space and to dance in one another’s pieces.”

The author in this statement notes that the pressure emanating from limited rehearsal time, given that borrowers were usually borrowed from other cultural backgrounds, less experienced artists and choreographers were prompted to rely on familiar works and steps. This was primarily because of the scarcity of methods for composition in a young modern dance field that encouraged the need for conformity and standardization of composition styles and movements. A general emphasis on clarity and structure would contribute towards the development of concentrated movements that would indicate emotional responses from the audience. The evolution of the modern dance theoretical models and practice have given rise to a liberal approach towards composition of new works that incorporates diverse themes and preferences of choreographers and more so the audience.

Quote 2: “Textures and qualities of movement became the paramount consideration and the principles of composition learned earlier could be used more intuitively. “

Some of the choreographers and theorists named in the text have been able to exercise great levels of flexibility in utilization of extensive themes that are effective in capturing the diverse appeals of various audiences. This brought about high levels of formal heaving as well as emotional improvisation in stages, to cater to various needs, preferences, as well as gaps in modern dance performances. Interior responses are usually translated into motion, which is the basic essence of theatrical performances and projections. Other choreographers and artists have been committed to dance as a means of undertaking social change, which provides an elaborate explanation as to enhanced liberties in selection of themes, movements, and steps in compositions. The ability to take into consideration the various themes and movements is effective in development of emotional appeals based on the diverse preferences of the audience, which enables social change.

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